Paper Studies is a space of emergence rather than resolution.

These works do not aim to construct a finished image; instead, they trace the moment where the figure begins to appear and simultaneously dissolve.

Working on paper allows for a more direct, vulnerable process. Lines hesitate, surfaces remain open, and forms are left unstable. The portrait is not fixed; it shifts, fractures, and resists completion.

Rather than presenting identity, these studies expose it as something provisional, incomplete, and continuously forming.